An investigation of the computational turn in visual culture, centered on the entangled politics and pleasures of data and images. If the twentieth century was tyrannized by images, then the twenty-first is ruled by data. In Technologies of Vision, Steve Anderson argues that visual culture and the methods developed to study it have much to teach us about today's digital culture...(展开全部)

When is war is the result of a nation's deliberate decision to advance its vital interests by force of arms? When is it brought about by miscalculation? What causes policy-makers to misjudge the consequences of their actions? This book takes up these and other questions in a comparative study of the origins, politics, and outcomes of international crisis based on data from 27 h...(展开全部)

When is war is the result of a nation's deliberate decision to advance its vital interests by force of arms? When is it brought about by miscalculation? What causes policy-makers to misjudge the consequences of their actions? This book takes up these and other questions in a comparative study of the origins, politics, and outcomes of international crisis based on data from 27 h...(展开全部)

The phrase 'War on Terror' has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Nor will it be, W. J. T. Mitchell argues, without a grasp of the images that it spawned, and that spawned it. Exploring the role of verbal and visual images in the War on Terror, Mitchell finds a conflict whose shaky me...(展开全部)

The phrase 'War on Terror' has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Nor will it be, W. J. T. Mitchell argues, without a grasp of the images that it spawned, and that spawned it. Exploring the role of verbal and visual images in the War on Terror, Mitchell finds a conflict whose shaky me...(展开全部)

Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory. In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty’s often misunderstood notion of “flesh” was another way to signify what he also called “Visibility.” Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which...(展开全部)

In 1739 China's emperor authorized the publication of a medical text that included images of children with smallpox to aid in the diagnosis and treatment of the disease. Those images made their way to Europe, where they were interpreted as indicative of the ill health and medical backwardness of the Chinese. In the mid-nineteenth century, the celebrated Cantonese painter Lam Qu...(展开全部)

In 1739 China's emperor authorized the publication of a medical text that included images of children with smallpox to aid in the diagnosis and treatment of the disease. Those images made their way to Europe, where they were interpreted as indicative of the ill health and medical backwardness of the Chinese. In the mid-nineteenth century, the celebrated Cantonese painter Lam Qu...(展开全部)

法國記者、律師。巴黎大學法律系畢業，美國喬治城大學國際法學碩士。《國家地理》雜誌和法國《外交世界》雜誌記者兼紀錄片製作人，長期關心全球資源問題和地緣政治，曾實地探查四十多個國家、撰寫上百篇報告，獲得十四項新聞獎，包括法國媒體的年度最佳調查報告獎，以及費時六年完成的第一本著作《稀有金屬戰爭》獲得法國2018年度最佳經濟圖書獎、並獲選為Turgot Prize年度最佳財經書。