An investigation of the computational turn in visual culture, centered on the entangled politics and pleasures of data and images. If the twentieth century was tyrannized by images, then the twenty-first is ruled by data. In Technologies of Vision, Steve Anderson argues that visual culture and the methods developed to study it have much to teach us about today's digital culture...(展开全部)

The phrase 'War on Terror' has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Nor will it be, W. J. T. Mitchell argues, without a grasp of the images that it spawned, and that spawned it. Exploring the role of verbal and visual images in the War on Terror, Mitchell finds a conflict whose shaky me...(展开全部)

The phrase 'War on Terror' has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Nor will it be, W. J. T. Mitchell argues, without a grasp of the images that it spawned, and that spawned it. Exploring the role of verbal and visual images in the War on Terror, Mitchell finds a conflict whose shaky me...(展开全部)

When is war is the result of a nation's deliberate decision to advance its vital interests by force of arms? When is it brought about by miscalculation? What causes policy-makers to misjudge the consequences of their actions? This book takes up these and other questions in a comparative study of the origins, politics, and outcomes of international crisis based on data from 27 h...(展开全部)

When is war is the result of a nation's deliberate decision to advance its vital interests by force of arms? When is it brought about by miscalculation? What causes policy-makers to misjudge the consequences of their actions? This book takes up these and other questions in a comparative study of the origins, politics, and outcomes of international crisis based on data from 27 h...(展开全部)

Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory. In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty’s often misunderstood notion of “flesh” was another way to signify what he also called “Visibility.” Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which...(展开全部)

In 1739 China's emperor authorized the publication of a medical text that included images of children with smallpox to aid in the diagnosis and treatment of the disease. Those images made their way to Europe, where they were interpreted as indicative of the ill health and medical backwardness of the Chinese. In the mid-nineteenth century, the celebrated Cantonese painter Lam Qu...(展开全部)

In 1739 China's emperor authorized the publication of a medical text that included images of children with smallpox to aid in the diagnosis and treatment of the disease. Those images made their way to Europe, where they were interpreted as indicative of the ill health and medical backwardness of the Chinese. In the mid-nineteenth century, the celebrated Cantonese painter Lam Qu...(展开全部)

An innovative interdisciplinary work that sheds new light on Manchu rule. The mechanisms by which the Manchu rulers of Qing dynasty China maintained their hegemony over a vast empire have long fascinated scholars, with New Qing History models challenging older Sinicization models in recent years. Images of War adds a new dimension to these debates, from an unlikely source: art ...(展开全部)

In Nonhuman Witnessing Michael Richardson argues that a radical rethinking of what counts as witnessing is central to building frameworks for justice in an era of endless war, ecological catastrophe, and technological capture. Dismantling the primacy and notion of traditional human-based forms of witnessing, Richardson shows how ecological, machinic, and algorithmic forms of wi...(展开全部)